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Josiah Spode earned renown for perfecting under-glaze blue transfer printing in 1783–1784 – a development that led to the launch in 1816 of Spode's Blue Italian range which has remained in production ever since.
Josiah Spode is also often credited with developing a successful formula for fine bone china.
Many are beautiful works of art in their own right; taken together, their importance rests in part in their completeness, but also as a historic document of changing design styles over two centuries.
Georgian simplicity, Regency opulence, Victorian naturalism, sentimentality, Pre-Raphaelite styles, Japanese revival, Arts and Crafts, Art Deco, 1950s modernism and late 20th century designs are all there, including the originals of iconic patterns still in production, such as Christmas Tree, Woodland and Stafford Flowers.
Spode also used on-glaze transfers for other wares.
The well-known Spode blue-and-white dinner services with engraved sporting scenes and Italian views were developed under Josiah Spode the younger, but continued to be reproduced into much later times.
Whether this is true or not, his son, Josiah Spode II, was certainly responsible for the successful marketing of English bone china.
Today Spode is owned by Portmeirion Group, a pottery and homewares company based in Stoke-on-Trent.
Between the years 18 the Copeland family owned the company entirely and typically printed backstamps with a variation on the Copeland family name on its products.He then worked in a number of partnerships until he went into business for himself, renting a small potworks in the town of Stoke-on-Trent in 1767; in 1776 he completed the purchase of what became the Spode factory until 2008.His early products comprised earthenwares such as creamware (a fine cream-coloured earthenware) and pearlware (a fine earthenware with a bluish glaze) as well as a range of stonewares including black basalt, caneware, and jasper which had been popularised by Josiah Wedgwood.From around 1800, most of the patterns painted by Spode's artists were recorded in Pattern books.These books contain watercolour paintings of tens of thousands of patterns made from about 1800 up to the end of production at the Church Street factory.
Copeland and Garrett period Pattern Numbers 6057, 60, c.1834 shown in the Pattern Book on a Covered Jar, Plate and Tile.